4.01162010, MVSEVM, Chicago, IL. Curated by Bret Schneider. Opened January 16, 2010.

Think Pink, Sarah Gavlak Gallery, Palm Beach, FL. Curated by Beth de Woody. February 13-March 20, 2010.

Untitled How to This is What I am Not Going To Do., sound performance, April 23, 2010, Whitney Biennial, Whitney Museum, NY.

LREI Art Auction March, 2010.

Site as Sound, book and CD forthcoming, edited by Brandon LaBelle
Featuring six sound pieces and related essay.

Separated United Forms, Book, LA, CA
This book presents theoretical and technological development for the public sculpture “Separated United Forms”, distributed RAM Publishing.

New Editions Art: print edition, LA, CA
An edition of a suite of prints representing language.

Implausible Structures, Castlebraid, Brooklyn, NY.
Curated by Suzanne Stroebe, included in the Brooklyn Artillery Art Fair.

Implausible Structures, Video Screening, Castlebraid, Brooklyn, NY.
Three Stooges “How High Is Up?”, 1940, will be screened, as part of the event.

Mildreds Lane, Home Listening, curated by Brett Schneider, Scranton, PA.
Pre-recorded and Live sound performance as part of a group sound event held at night on the grounds of Mildred’s Lane.

Two of the Beatles Have Died, Grand Parade, Brighton, UK.
This project involved the remixing of an original song about The Beatles, for an audio exhibition in Manchester, England.

Visionary Drawings, Harvard Incident Report Viewing Station, Mass MOCA, MA.
Exhibition, curated by Matt Bau, and included in book “Drawing Building”.

Full Screen: Six Data Points in the Image, School of Visual Arts, NY.
Curated by Jeff Edwards.

Scores, Lawrimore Gallery, Seattle, WA.
Curated by VOLUME Projects.

Endurance: Visualizing Time, Outdoor Sculpture Exhibition, Abington Art Center: PA.
Curated by Sue Spaid.

Separated United Forms, One Percent for the Arts, public sculpture, Pasadena, CA
Opening Reception October 17, 2009.

Pinkslips, George Adams Gallery, NYC
Exhibition of part-time faculty at Parsons The New School for Design, to demonstrate solidarity for laid-off faculty.

MoCA Benefit Auction: LA, CA

Yale School of Architecture, Guest critic for Joel Sanders class.
Joel’s class was presenting work that dealt with technology and the body.

Lament, Web based sound project for Viralnet and Calarts, CA
30-second audio piece that included the superimposing and remixing of excerpts from Michael Bolton, Kenny G, and Yanni.

I Want Your Texts…, United Nations Plaza Radio Network in Berlin reading project, by Karl Holmqvist

“In the Year 2525, Web based sound collaborative project, Radio Grenouille, Marseille
Live reading of  the lyrics for “In The Year 2525 Remix”, in addition to playing the remixed audio version.