Curriculum Vitae
| David Schafer | ||
|---|---|---|
| Born: | Kansas City, Missouri | |
| Education: | University of Texas, Austin, M.F.A., 1983
University of Missouri, Kansas City, B.A., 1979 The Art Institute of Kansas City, Kansas City, MO., 1973 and 1975 |
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| PUBLIC PROJECTS | ||
| 2006 | Separated United Forms, Huntington Memorial Out Patient Pavilion, One Percent for the Arts commission, Pasadena, CA. | |
| 2005 | D-Play: IT House, “Outfit” window scrim proposals, taalmankoch Architecture, Los Angeles, CA | |
| 2004 | Futureways-The Middelburg Triennial, De Vleeshal, Middelburg, Holland | |
| Treble, The Sculpture Center, LIC, NY | ||
| 2000 | Cluster 38, KBond, Los Angeles, CA | |
| 1995 | Reading Rooms, Lauren Wittels Gallery, New York City | |
| 1993 | New Century Trellis, Public Art Fund. MetroTech Center, Brooklyn, NY. | |
| Pastoral Mirage, Prospect Art Alliance, Prospect Park, Brooklyn, NY. | ||
| 1991 | Liberty Prop, Public Art Fund, City Hall Park, New York City, NY. | |
| 1989 | Model Q, Sculpture Chicago, City Front Plaza, Chicago, IL. | |
| 1988 | Plaza of the First Reader, Public Art Fund, Columbus Park, Brooklyn, NY | |
| Outdoor Sculpture, Fulton Ferry State Park, Brooklyn, NY. Public Art Fund | ||
| Altered Sites, Fairmont Park, Philadelphia, PA | ||
| SOLO EXHBITIONS | ||
| 2001 | Shoshana Wayne Gallery, Los Angeles, CA | |
| Sara Meltzer Gallery, New York, NY | ||
| 2000 | Works On Paper, Inc., Los Angeles, CA | |
| 1999 | Chuck Project Space, Los Angeles, CA | |
| 1998 | Dollhouse Project Space, Los Angeles, CA | |
| 1996 | Special K Exhibitions, Los Angeles, CA | |
| 1992 | Berland Hall Gallery, New York, NY | |
| 1990 | Van Rooy Gallery, Amsterdam, NL | |
| 1987 | P.S.1, Long Island City, NY | |
| GROUP EXHBITIONS | ||
| 2010 | {SØNiK}Fest 2.0, BronxArtSpace, Bronx, NY. Curated by Seyhan Musaoglu | |
| Sad Pavilion, Mildred’s Lane Art Residency, Beach Lake, PA. Curated by Brett Schneider | ||
| 4.01162010, MVSEVM, Chicago, IL. Curated by Brett Schneider | ||
| Think Pink, Sarah Gavlak Gallery, Palm Beach, FL. | ||
| What Should A Museum Sound Like?, sound performance, Whitney Biennial, Whitney Museum of American Art, NY. | ||
| MATERIA, Cabinet Magazine Exhibition Space, Brooklyn, NY. | ||
| What Matters Most, Exit Art, NY. | ||
| LREI, art auction, LREI, NY. | ||
| Carriage Trade, art auction, Carriage Trade, NY. | ||
| 2009 | Implausible Structures, Castle Braid, Brooklyn, NY | |
| Two of the Beatles Have Died, Grand Parade, Brighton, UK. | ||
| Visionary Drawings, Harvard Incident Report Viewing Station, Mass MOCA, MA. | ||
| Full Screen: Six Data Points in the Image, School of Visual Arts, NY. | ||
| Scores, Lawrimore Gallery, Seattle, WA. | ||
| Endurance: Visualizing Time, Outdoor Sculpture Exhibition, Abington Art Center, Jenkintown, PA. | ||
| Home Listening, Curated by Brett Schneider, Mildred’s Lane, Scranton, PA | ||
| Pinkslips, George Adams Gallery, NY | ||
| 2008 | The Lament Project sponsored by CalArts and Viralnet, http://www.integr8dmedia.net/viralnet/ | |
| Free Dimensionality, Silvershed, NYC | ||
| David Schafer and Sawako Kato, audio presentations, Volume Projects, NY | ||
| The Cultural Corridor lll, Artist Storefront, Pittsfield, MA | ||
| Global Suburbia, Abington Art Center, Jenkintown, PA | ||
| It’s Only Rock and Roll, SCOPE Miami Basel Art Fair, ArtMbassy Gallery. Miami, FL. | ||
| Under the Influence, The Norton Simon Museum of Art, Pasadena, CA | ||
| In The Year 2525, RadioVillageNomade, Web sound project. Radio Grenouille in Marseille. www.grenouille888.org | ||
| 2007 | Sound Works Feature on UBUWEB | |
| Public reading performance, from my text Up is High, How?, Failure: Experiments in Social and Aesthetic Practice at Park Projects, Los Angeles. | ||
| Collaborations, Roger Smith Hotel, NY | ||
| Peter Dudek, Smackmellon, Brooklyn, NY | ||
| I Want Your Texts… for the United Nations Plaza Radio Network in Berlin reading project, by Karl Holmqvist. | ||
| Public reading performance, from my text The Instructor, Futureways by Rita McBride, Printed Matter, NY | ||
| 2005 | Mothership Connection, Creative Research Lab, Austin, TX | |
| Radio Memory; Phantom Radio Project, organized by Brandon LaBelle, Web-based, Vienna | ||
| D-Play: IT House “Outfit” project, taalmankoch Architecture, LA CA | ||
| Lounge, ArtSpace, curated by Regine Basha, Austin, Texas | ||
| 2004 | Futureways-The Middelburg Triennial, De Vleeshal, Middelburg, Holland | |
| Re-modeling: New Ideas on the Form and Function of Architectural Models, Art Museum, Long Beach, CA | ||
| Treble, The Sculpture Center, LIC, NY | ||
| The Inquisitive Musician: Screen Tests, Organized by Cindy Bernard and David Hatcher. LA | ||
| 2003 | File, Soundtrack fora video by Cheryl Donegan, Oliver Kamm 5BE Gallery, NY | |
| 2002 | GHZ, Williamson Gallery, Art Center College of Design, Los Angeles, CA | |
| 2001 | Revolutions Per Minute, Gallery 400, Chicago, IL | |
| BodySpace, Baltimore Museum of Art, Baltimore, MD | ||
| 2000 | Photasm, Hunter College, NY | |
| Post Millennial Fizzy, Beaver College, Philadelphia, PENN | ||
| 1999 | Sonopticon 99, Organized by FAR, Action Space, Los Angeles, CA | |
| Beyond Music, Organized by Brandon LaBelle, Beyond Baroque, Los Angeles, CA | ||
| Attention Spam, Curated by Paul Zelevansky, Shoshana Wayne Gallery, Los Angeles, CA | ||
| Post Millennial Fizzy, Curated by Julie Joyce and Adam Ross, Luckman Fine ArtsGallery at California State University, LA | ||
| 1998 | Reverb, The Brewery, Los Angeles, CA | |
| Composed, Rodney Graham, Christian Marclay, David Schafer, Angles Gallery, Los Angeles, CA | ||
| 1997 | Installation, Lemon Sky Projects, Los Angeles, CA | |
| Yard Sale, Special K Exhibitions, Los Angeles, CA | ||
| March Six, Ikon Gallery, Los Angeles, CA | ||
| 1996 | Muse-X Editions, Shoshana Wayne Gallery, Los Angeles, CA | |
| Untitled, Domestic Setting, Los Angeles, CA | ||
| Scratch, Curated by Mel Chin, Threadwaxing Space, New York, NY | ||
| 1995 | Group Show, Domestic Setting, Los Angeles, CA | |
| Grounded, Curated by Dan Cameron, Art/Omi, New York, NY | ||
| A. Working Title, Domestic Setting, Los Angeles, CA | ||
| 1994 | Animated, Art in General, New York, NY | |
| Multiple, The Sculpture Center, New York, NY | ||
| 1993 | Living Room, Betty Rymer Gallery, School of the Art Institute, Chicago, IL | |
| The Joke Show, Four Walls, Brooklyn, New York, NY | ||
| Preliminaries, ACA Exhibition Space, New York, NY | ||
| 1992 | The Backroom, Dooley Le Cappellaine Gallery, New York, NY | |
| The Neurotic Show, Artists Space, New York, NY | ||
| 1991 | Artifacts of Thought-Sculptors Drawings, Marimount College, New York, NY | |
| Western Agenda, Curated by Cornelia Butler, Artists Space, New York, NY | ||
| 1990 | Corporealities, Sue Spaid Fine Arts, Los Angeles, CA | |
| David Schafer, Polly Apfelbaum, Coup De Grace Gallery, New York, NY | ||
| 1989 | Selections from the File,The Drawing Center, New York, NY | |
| David Schafer, John Schlessinger, Van Rooy Gallery, Amsterdam, Holland | ||
| Sculpture Chicago, The Equitable Building, Chicago, ILL | ||
| Sculpture Chicago, outdoor installation, Chicago, ILL | ||
| Outdoor Sculpture Installation, Fulton Ferry State Park, Brooklyn, NY | ||
| 1988 | Notations on the Virtual, Loughelton Gallery, New York, NY | |
| The Text is Unexplained, Curated by Bill Arning, Stux Gallery, Boston, MA | ||
| Hudson River Invitational, The Hudson River Museum, New York, NY | ||
| Four By Four, White Columns, New York, NY | ||
| Wilkov/Goldfeder, 3 person show, NY | ||
| 1987 | Group Show, The Sculpture Center, New York, NY | |
| Benefit Show, White Columns, New York, NY | ||
| The Gnarly Mo Show, Limelight Disco, NY | ||
| Jumbo Dumbo, Brooklyn, NY | ||
| 10th Anniversary Outdoor Sculpture Exhibit, Snug Harbor, Staten Island, NY | ||
| 1986 | Engaging Objects, The Participatory Art of Mirror, Mechanism and Shelters, curated by Tom Finkelpearl, The Clocktower, New York, NY | |
| Brooklyn 86, The Brooklyn Museum, Brooklyn, NY | ||
| GRANTS AND AWARDS | ||
| 2006 | One Percent for the Arts Commission, Huntington Out Patient Pavilion, Pasadena, CA | |
| 2004 | Great Teacher Award, Art Center College of Design, CA | |
| 2003 | Great Teacher Award, Art Center College of Design, CA | |
| Great Teacher Award, Art Center College of Design, CA | ||
| 2001 | Faculty Enrichment Grant, Art Center College of Design, CA | |
| 2000 | Great Teacher Award, Art Center College of Design, CA | |
| 1989 | National Endowment for the Arts, New York, NY | |
| Artist in Residence, Sculpture Chicago, Chicago, ILL | ||
| 1987 | Individual Project Grant, Artists Space, NY | |
| Group Exhibitions Grant, Artists Space, NY | ||
| Artist in Residence, Brooklyn, NY, Public Art Fund | ||
| 1985 | Individual Project Grant, Artists Space, NY | |
| CATALOGS AND PUBLICATIONS | 2011 | “Separated United Forms”, edited by Lisa Mark, published by Charta Books, forthcoming release | 2010 | “Site of Sound 2″, edited by Brandon LaBelle, published by Errant Bodies, forthcoming release | “THINK PINK”, Gavlak, Palm Beach, PL. Curated by Beth Rudin DeWoody | 2009 | “Full Screen: Six Data Points on the Image”, School of Visual Arts Critical Studies Library, New York, NY | 2004 | “Futureways: The Middelburg Biennial 2304”, DeVleeshal, Middelburg, Holland |
| “ReModeling”, The University Art Museum of Long Beach, CA | ||
| “Treble”, The Sculpture Center, Long Island City, NY | ||
| 2001 | “Bodyspace”, Baltimore Museum of Art, Baltimore, MD | |
| 2000 | “David Schafer”, Works On Paper, Inc. Los Angeles, CA | |
| Artists project “The World” Poetry Journal, New York, NY | ||
| “Photasm” Hunter College, New York, NY | ||
| 1999 | Artist project “Ribot” edited by Brandon LaBelle, Los Angeles, CA | |
| 1996 | “Grounded”, Art Omi, New York, NY | |
| 1995 | “Manual”, Art in General, New York, NY | |
| 1993 | “Pastoral Mirage”, Prospect Park Alliance, Brooklyn, NY | |
| 1990 | “Artifacts of Thought”, Marimount College, New York, NY | |
| “Western Agenda”, Artist’s Space, New York, NY | ||
| 1989 | “Public Art Fund 1988-1989″, New York, NY | |
| “David Schafer, John Schlessinger”, Van Rooy Gallery, Amsterdam, Holland | ||
| “Sculpture Chicago 1989″, Chicago, ILL | ||
| “Altered Sites”, Fairmont Park, Philadelphia, PA | ||
| “Public Art Program 1985-1988″, Hillwood Art Gallery, Long Island City University, NY | ||
| 1986 | “Engaging Objects, The Participatory Art of Mirror, Mechanism and Shelters”, The Clocktower, New York, NY | |
| EDITIONS | ||
| 2009 | New Editions, LA, CA | |
| 2002 | “x10R.1”, Double audio CD, Edition of 1000, Transparency label, LA CA | |
| 2001 | “I Got Lost Because of the Detour” Lithograph and silkscreen, Edition of 30, Goya | |
| Girl Press, Baltimore, MD | ||
| 1994 | “Big Block” letterset press, Edition of 30, published by The Sculpture Center, NY | |
| BIBLIOGRAPHY | ||
| 2010 | Lau, Andrew K. “The Transparency Label Refuses to Flinch”. Crawdaddy! | Doan, Abigail. “ECO ART: New York Times’ Dot Earth and Ecoartspace Ask ‘What Matters Most?’”. inhabitat.com |
| 2009 | Art in the Digital Age, The Pasadena Star, Pasadena, CA | |
| Kane, Mitchell. “Reclining Form in Zero Gravity”. IOIP: Information Objects Images People | ||
| Pasadena Planning and Development Program. The City of Pasadena | ||
| Truong, Alain. “Under the Influence: Art-Inspired Art at The Norton Simon Museum. Les cahiers d’Alain Truong | ||
| Williams, Janette. “Sculptures Placed at Huntington Pavilion Have A Unique Backstory”. Pasadena Star-News | ||
| Wilson, Larry. “New Public Art in Pasadena” Public Eye Weblog, Los Angeles Newspaper Group | ||
| 2008 | Villareal, Jr., Ignacio. “Under the Influence: Art-Inspired Art Opens at Norton Simon Museum”. ArtDaily.org: The First Art Newspaper on the Net | |
| “Norton Simon Museum Presents: Under the Influence, Art-Inspired Art”. Art Knowledge News. The Art Appreciation Foundation | ||
| “Between Urban and Rural: Public Art and Suburbia”, Public Art Review, issue 39 | ||
| Global Surburbia Arrives at Art Center, Times Chronicle Glenside News, PA | ||
| “Global Suburbia at Abington Art Center”, Robert Fallon Artblog | ||
| “View of the Burbs Suddenly Sprouting Like Crabgrass”, Philly.com | ||
| “Global Suburbia: Meditations on the World of the ‘Burbs”, Catalog text, Sue Spaid, Abington Art Center, PA | ||
| 2004 | Noriyuki, Duane. “Perception, deception: beyond model homes” Los Angeles Times | |
| Rozendaal, Ernst Jan. “Future Sheds Light on the Present” Middelburg Paper | ||
| 2003 | Cotner, David. “David Schafer x10R.1-x10R.2” Transparency Records | |
| Goldsmith, Kenny. “x10R.1-x10R.2” Music Reviews/Chartsweep | ||
| Hemptinne, Pierre.” x10R.1-x10R.2” Listening Note, The Anti-Fun Magazine. Media Library of the French Community in Belgium | ||
| 2002 | Min, Susette. “Soothe Operator”, Cabinet Magazine | |
| 2001 | Stein, Lisa. “Revolutions Per Minute”, Chicago Tribune, | |
| Johnson, Ken. “David Schafer”,The New York Times | ||
| 2000 | Johnson, Ken. “Photasm”, New York Times | |
| Dunlop, Jennifer. “David Schafer” Art Issues | ||
| 1999 | Gopnik, Blake. “Pure and Simple: Art That Causes a Sensation”, Washington Post | |
| O’Sullivan, Michael. “Alluring BodySpace Pulls You In”, Washington Post | ||
| McNatt, Glenn. “BMA’s ‘BodySpace’ Baltimore Sun | ||
| Giuliano, Mike. “Body And Soul”,City Paper | ||
| Sozanski, Edward J. “Trolling For Clarity On The Future”,The Philadelphia Enquirer | ||
| Rice, Robin. “Futurama”, Philadelphia City Paper | ||
| Campbell, Clayton. “Attention Spam”, Flash Art | ||
| Frank, Peter. “Beyond Music Sound Festival”, LA Weekly | ||
| Harvey, Doug. “Futurama: post-millennial deja vu at Luckman Fine Arts”, LA Weekly | ||
| 1997 | Lombino, Mary-Kay. “Dollhouse”, Artweek | |
| Frank, Peter. “Art Pick of the Week: Reverb”, The LA Weekly | ||
| Cooper, Jacqueline. The Dollhouse Gallery, New Art Examiner | ||
| 1997 | Morgan, Margaret. Art and Text | |
| 1996 | Frank, Peter. “Art Pick of the Week”, The LA Weekly | |
| Kandell, Susan. “Mall Scenes” The Los Angeles Times | ||
| “Can Art in Cyberspace Live Without a Body?” The New York Times | ||
| 1995 | “headline.net/art/” World Art | |
| 1994 | Raven, Arlene. “Common Ground”, The Village Voice | |
| Kahn, Eve M. “The Power of the Word”, Landscape Architecture | ||
| 1993 | Gartner, Jon . “Future Prospects for the Park”, Metropolis Magazine | |
| “Pastoral Mirage’, The New Yorker | ||
| “Olmsted Fails as Sound Bite’, The New York Times | ||
| “New York Sculpture Awards”, Flash Art | ||
| Olga Zdanovics. “Living Room”, The New Art Examiner | ||
| “Artists Seek Physical Relationship/Living Room, The Reader, Chicago, ILL | ||
| “Living Room”, F Magazine, Chicago, IL | ||
| 1991 | Faust, Gretchen. “New York in Review-Liberty Prop”, Arts | |
| Myers, Terry. “New York in Review-Western Agenda”, Arts | ||
| “Concerned Citizen”, The New Yorker | ||
| 1990 | David Schafer, John Schlessinger, De Volleskrant | |
| “Art Pick of the Week: Corporealities”, LA Weekly | ||
| 1989 | “Sculptor Watching”, New City Magazine | |
| “Art for the Public”, Metropolis Magazine | ||
| “Sculpture Chicago”, Sculpture Magazine | ||
| 1989 | “Chicago’s Top 40″, The Chicago Tribune | |
| “Sculpture Chicago”, Chicago Sun Times | ||
| “Art for the Public”, Metropolis Magazine | ||
| 1988 | “Sculptors Artfully Alter Fairmont Park”, Philadelphia Inquirer, Philadelphia, PA. | |
| 1987 | ”City as Sculpture Garden: Seeing the New and Daring”, The New York Times. NY | |
| 1986 | Brenson, Michael. “Engaging Objects”, The New York Times, NY | |
| CURATED EXHIBITIONS AND EVENTS | ||
| 2005 | Max Neuhaus lecture and discussion event with Max Neuhaus, Art Center College of Design | |
| 2000 | They Came From Within, Group exhibition, The Bradbury Building, Los Angeles, CA | |
| 1998 | Jean Jacques Perry, concert and lecture series at UCLA, Cal Arts, Art Center College of Design, and Otis College of Art and Design | |
| 1995 | Pixel Putty, Video Screenings at the School of Visual Arts, New York, NY | |
| Video Salon, Art in General, New York, NY | ||
| 1998 | From Muzak to Moog, Interview with Phyllis Green for “Look/Hear” KXLU 88.9 FM, Los Angeles, CA | |
| Sitar Pop and Moog set, Guest DJ for KBLT 104.7 FM, Los Angeles, CA | ||
| PUBLISHED WRITING | ||
| 2007 | “Up is High, How?” Failure! Experiments in Aesthetic and Social Practices, The Journal of Aesthetic and Protest Press, CA | |
| 2003 | “The Instructor” for Futureways published by the Whitney Museum, edited by Rita McBride | |
| 2000 | Review “Bill Leavitt, Margo Leavin Gallery” Art Papers, Jan/Feb. | |
| Catalog essay “Toward a Non-Definition” Inland Specific Exhibition Catalog | ||
| 1999 | Review “Martin Kersels, Dan Bernier Gallery” Art Papers, Feb. | |
| Review “Are We Touched? Identities From Outer Space”, Art Papers, July | ||
| Commentary “The Garden of Descent” X-Tra | ||
| Feature “Exploring the World of Sitar Pop” Cool and Strange Music Magazine, Nov. | ||
| 1998 | The Moog As Prosthetic God” Documents Journal | |
| Review “Chazam Eklektrythms” Cool and Strange Music Magazine, Aug. | ||
| Review “Electronic Toys, A Retrospective of ’70’s Synthesizer Music” Cool and Strange Music Magazine, Aug. | ||
| Feature “The Moog As Prosthetic God” Exotica Ectetera | ||
| “101 Moogs!” Cool and Strange Music Magazine, Feb. | ||
| Feature “Where to Search for Records in the City of Glamour and Paranoia” Cool and Strange Music Magazine, Nov. | ||
| TEACHING APPOINTMENTS | ||
| 2008 | Cooper Union Visiting Artist: Sculpture |
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| 2007 | Rutgers University Visiting Artist: Sculpture |
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| 2007-present | Parsons The New School of Design | |
| 2006-2007 | Art Center College of Art and Design Part Time Faculty |
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| 2000-2006 | Art Center College of Art and Design, Professor of Fine Art, Director of the Sculpture and Installation Track |
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| 1998-2000 | Art Center College of Art and Design Part Time Faculty |
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| 2000-2001 | Art Center College of Art and Design Interim Chair of Fine Art; fall of 2000 and spring 2001 |
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| 2001 | Taki-Fuji Award, Represented Art Center in Tokyo, Japan | |
| 2002 | California Institute of the Arts Visiting Artist: Sculpture |
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| 1996-2000 | Otis College of Art and Design Adjunct Instructor |
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| 1994-1996 | Parsons School of Art and Design Adjunct Instructor |
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| 1985-1996 | School of Visual Arts, New York, NY. Adjunct Instructor |
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